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Abgefrackt! (Fracked!) (DSE)

(FRACKED! OR:
PLEASE DON'T USE THE F-WORD)
StaatsTheater
Nurnberg, Germany

Through till July 2018

 

" Fracking good entertainment…..  A darkly comic treat.”

FRACKED! OR PLEASE DON'T USE THE F-WORD at Guildford
SurreyandHantsnews.com

" Fracked! is an exciting, witty, fast-paced play, but more than that, it’s thought-provoking and rousing that might just stir us all into a bit of community activism.”

FRACKED! OR PLEASE DON'T USE THE F-WORD at Malvern
behindthearras.com

"it’s a play that lightens our being, sharpening our tools for thinking and falling about with blunt laughter..”

FRACKED! OR PLEASE DON'T USE THE F-WORD at Brighton
fringereview.co.uk

 

The guardian banner
Fracked! Or: Please Don’t Use the F-Word

Anne Reid and James Bolam to play anti-fracking campaigners. The Guardian article written by Mark Brown.
Read here...

 

The guardian banner
David Hare imagines chancellor in crisis for West End political satire season
Along with Hare on Osborne, Arts Theatre season includes Alistair Beaton play about a plot to oust Jeremy Corbyn
Read here...

 

ALL SCRIPTS AVAILABLE FROM METHUEN drama, OBERON CLASSICS and SAMUEL FRENCH

 

Theatre

Following an acclaimed, sold-out run at Chichester Festival Theatre, FRACKED! OR: PLEASE DON’T USE THE F-WORD embarked on a UK tour in 2017. You can read what the critics said HERE.

The German version of FRACKED! OR: PLEASE DON’T USE THE F-WORD, ABGEFRACKT! is currently running at the Staatstheater Nürnberg, Germany to great reviews. (see left) and in Stuttgart. 

" Fracking good entertainment…..  A darkly comic treat.”

FRACKED! OR PLEASE DON'T USE THE F-WORD at Guildford
SurreyandHantsnews.com

Alistair Beaton's play, FRACKED! OR: PLEASE DON'T USE THE F-WORD, completed a successful run at the Minerva Theatre, Chichester in July and August 2016.

The world premiere of Alistair Beaton’s play, 'CALEDONIA', was staged at Edinburgh International Festival (2010).  It was a co-production between the EIF and the National Theatre of Scotland.

Alistair Beaton’s satirical comedy KING OF HEARTS was seen at London’s Hampstead Theatre in 2007, directed by Max Stafford-Clark and Ramin Gray. It opens in a new German production in Berlin in November 2009.

Alistair Beaton is the author of the hit West End play FEELGOOD, which won the Evening Standard Best Comedy Award in 2001 and has since been seen in America, Canada, Germany, Denmark, Austria, Portugal, Estonia, Finland and Hungary. In 2004 he wrote the anti-war satire FOLLOW MY LEADER (Birmingham Rep & Hampstead Theatre). With Ned Sherrin he co-wrote THE RATEPAYERS’ IOLANTHE and THE METROPOLITAN MIKADO, as well as the musical SMALL EXPECTATIONS.

In 2007 his translation of THE ARSONISTS by Max Frisch ran at the Royal Court Theatre. His new English version of THE GOVERNMENT INSPECTOR by Nikolai Gogol was first staged at Chichester festival Theatre, directed by Martin Duncan. In Spring 2008 it ran at the American Conservatory Theatre in San Francisco.

He has also created new English versions of DIE FLEDERMAUS and La vie Parisienne.

Alistair Beaton has been commissioned to translate and adapt for the stage an internationally best-selling novel.

 

 

The Caucasian Chalk Circle |

Alistair Beaton's translation of The Caucasian Chalk Circle opened at Edinburgh's Lyceum Theatre in 2015 to FIVE STARSFIVE STARSFIVE STARSFIVE STARSFIVE STARS reviews.

The Caucasian Chalk Circle | photo credit: Kieth Pattison

Alistair Beaton's translation of The Caucasian Chalk Circle premiered at the West Yorkshire Playhouse in 2009. The play toured until the end of the year.

 

König der Herzen

The recent production of König der Herzen (King of Hearts), which toured Germany, gathered great reviews.

"Es ist erstaunlich, wie viele brisante Themen in einer Handlung zu unterbringen sind… Das Publikum applaudierte amüsiert und lange.

“It’s astonishing how much explosive subject matter can be combined in one production… The audience applauded loud and long.” - Holsteinscher Courier.

“Erinnert an einen andern Meister der Satire, an Bernard Shaw… Ein bemerkenswerter Theaterabend, mit sehr pointierten Rededuellen undter der fliessigen Regie von Johannes Pfeiffer”.

“Reminiscent of another master of satire, Bernard Shaw….. A remarkable evening in the theatre, with much verbal dexterity, all under the fluent direction of Johannes Pfeiffer”. – BIO&mehr

“Eine satirische Komödie mit Tiefgang, die den Zuschauern einige Denkanstösse mit auf dem Heimweg gab”.

“A satirical comedy with depth, which sent the audience home with a few things to think about.” - Weser Kurier

“Was anfangs wie ein Boulevardstück daherkommt, entwickelt sich mit der Zeit zu einer bösen Satire über Macht, Moral und Migration.”

“What starts off as a light comedy gradually develops into a biting satire on power, morality and immigration.”
-   Bietigheimer Zeitung.

 

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